जब मैं बच्चा था, तो मैं हमेशा सोते वक्त कोई न कोई कहानी बुनता रहता था, और वहीं से मेरे भीतर फिल्म निर्माण का जन्म हुआ। मन ही मन किसी और को कहानी सुनाते हुए सपनों की दुनिया में चले जाना मुझे बहुत अच्छा लगता था। वह मेरा काल्पनिक दोस्त था; वह मेरी कहानी सुनने वाला एक काल्पनिक श्रोता था।
When I was a kid, I was always going to bed creating a story and that was the birth of filmmaking for me. I would like going to the dream-state by telling the story to someone else in my mind. That was my imaginary friend; it was an imaginary audience listening to my story.
When I was a kid, I was always going to bed creating a story and that was the birth of filmmaking for me. I would like going to the dream-state by telling the story to someone else in my mind. That was my imaginary friend; it was an imaginary audience listening to my story.
मुझे लगता है कि एक अच्छा निर्देशक वही है जो एक अच्छा श्रोता हो।
I think a good director is a good listener.
I think a good director is a good listener.
कभी-कभी आपके भीतर ऐसी ज़िद या तलब पैदा होती है जिन पर आपका कोई नियंत्रण नहीं होता, जो आपके अवचेतन मन से आती हैं—वे हमारे भीतर बैठे किसी तानाशाह जैसी होती हैं।
Sometimes you have compulsions that you can't control coming from the subconscious they are the dictator inside ourselves.
Sometimes you have compulsions that you can't control coming from the subconscious they are the dictator inside ourselves.
मैंने पहले जो फिल्में बनाई थीं, वे बहुत सारे किरदारों, बहुत सारी जगहों और कम बजट वाली फिल्में थीं, जिसका मतलब यह था कि मैं यहाँ-वहाँ भागता रहता था और कभी भी किसी अभिनेता के साथ गहरा रिश्ता बनाने का मौका नहीं मिल पाता था। सिनेमैटोग्राफर, एडिटर्स या प्रोडक्शन डिजाइनर्स के साथ तो मेरे हमेशा से बहुत गहरे और मज़बूत रिश्ते रहे, लेकिन अभिनेताओं के साथ ऐसा नहीं हो पाया।
The movies I did before were movies with a lot of characters, a lot of locations, and low budgets, which meant that I was running all over the place and never had the chance to build a relationship with an actor. I was always having big, strong relationships with the cinematographers or editors or production designers, but not with the actors.
The movies I did before were movies with a lot of characters, a lot of locations, and low budgets, which meant that I was running all over the place and never had the chance to build a relationship with an actor. I was always having big, strong relationships with the cinematographers or editors or production designers, but not with the actors.
आप कभी कोई वादा नहीं कर सकते क्योंकि आप कभी नहीं जानते कि आपका अगला प्रोजेक्ट क्या होगा।
You cannot make promises because you never know what your next project will be.
You cannot make promises because you never know what your next project will be.