खैर, माहौल के अलावा, हॉरर फिल्म में काम करने से जो सबसे बड़ी सीख मुझे मिली, वो यह थी कि कम बजट में बहुत तेजी से शूटिंग कैसे की जाती है। मैंने सीखा कि कैसे किसी प्रोजेक्ट में यह जानते हुए उतरना है कि मुझे कौन सा शॉट चाहिए, शॉट कैसा दिखना चाहिए और बहुत कम समय में कलाकारों से मनचाहा अभिनय कैसे निकलवाना है।
Well, outside of the tone, the big thing that I gained from working on horror film was how to shoot really quickly with no money. I learned how to be able to go into a production and know exactly what shot I need to get and how the shot needs to look and what performance I need to get out of the talent at a very quick pace.
Well, outside of the tone, the big thing that I gained from working on horror film was how to shoot really quickly with no money. I learned how to be able to go into a production and know exactly what shot I need to get and how the shot needs to look and what performance I need to get out of the talent at a very quick pace.
मैं फिल्मों का शौकीन हूँ। मुझे फिल्में बहुत पसंद हैं। जब मैंने पटकथा (स्क्रीनप्ले) पढ़ी, तो मैं जानता था कि कोई भी एचडी कैमरा वह लुक हासिल नहीं कर सकता जो मुझे इस फिल्म के लिए चाहिए था। मैं इसे थोड़ा कच्चा और खुरदुरा लुक देना चाहता था, और 16 मिमी (कैमरा) वह दानेदार (ग्रेनी) और असली लुक देता है। मैंने इसी के लिए मेहनत की थी, मुझे यही चाहिए था, और मैंने अपनी कल्पना में फिल्म को बिल्कुल वैसे ही देखा था।
I'm a film guy. I love it. When I read the screenplay, I knew that there would be no HD camera that could achieve the look that I wanted for this film. I wanted it to be dirty, and 16mm provides all of that with the look and the grain. That's what I worked for, and that's what I wanted, and that's how I'd seen the movie in my mind.
I'm a film guy. I love it. When I read the screenplay, I knew that there would be no HD camera that could achieve the look that I wanted for this film. I wanted it to be dirty, and 16mm provides all of that with the look and the grain. That's what I worked for, and that's what I wanted, and that's how I'd seen the movie in my mind.
मैंने सभी निर्माताओं को फोन किया और भले ही हमारे पास ऐसा करने के लिए पर्याप्त पैसे नहीं थे, लेकिन मुझे ठीक-ठाक पता था कि मुझे कौन से शॉट चाहिए क्योंकि हमारे पास ज्यादा से ज्यादा एक या दो टेक का ही समय होता था और फिर हमें आगे बढ़ना पड़ता था।
I called all of the producers and although we didn't have enough money to do that, I had to actually know which shots I wanted to get because we only had at most, one or two takes and then we had to move on.
I called all of the producers and although we didn't have enough money to do that, I had to actually know which shots I wanted to get because we only had at most, one or two takes and then we had to move on.
एक अश्वेत फिल्म निर्माता होने के नाते, इस फिल्म के जरिए मैं जो एक काम करना चाहता था, वह यह था कि इसे एक अलग नजरिए से पेश किया जाए। मैं खुद को एक अश्वेत पुरुष के दायरे से बाहर निकालना चाहता था। मैं इस फिल्म को टली (Tully) की आँखों से देखना चाहता था, यह समझने के लिए कि वह क्या सोच रहा था, और जहाँ तक मुमकिन हो उसकी भावनाओं को महसूस करना चाहता था।
Being a black filmmaker, one of the things I wanted to do with the movie is make sure I told it from a different perspective. I wanted to take myself out of it as a black male. I wanted to look at this movie through the eyes of Tully, to understand what he was thinking, and feel what he was feeling as much as I could.
Being a black filmmaker, one of the things I wanted to do with the movie is make sure I told it from a different perspective. I wanted to take myself out of it as a black male. I wanted to look at this movie through the eyes of Tully, to understand what he was thinking, and feel what he was feeling as much as I could.