कैसल रॉक और न्यू लाइन दोनों की अपनी खूबियां हैं, लेकिन न्यू लाइन की सबसे बड़ी बात यह है कि वे एक फोकस्ड और नीश-मार्केट प्लेयर हैं जो फ्रेंचाइजी की बारीकियों को समझते हैं। शायद वे फिल्मों में फ्रेंचाइजी बिजनेस को किसी भी अन्य कंपनी से बेहतर समझते हैं।
Castle Rock and New Line each have their strengths, but the great thing about New Line is that they are a real focused-market, niche-market player who understand franchises. They probably understand the franchise business in motion pictures better than anyone else out there.
Castle Rock and New Line each have their strengths, but the great thing about New Line is that they are a real focused-market, niche-market player who understand franchises. They probably understand the franchise business in motion pictures better than anyone else out there.
मुझे 'बेट्टी एंड वेरोनिका' कॉमिक्स जैसी डेटिंग कहानियाँ बहुत पसंद हैं; डरावनी और दिल दहला देने वाली चीजों के लिए मैं डेविड लिंच और एच.पी. लवक्राफ्ट को पसंद करता हूँ, और मैं मियाज़ाकी की फिल्मों से प्रेरित हूँ - उन कोमल और दिल छू लेने वाले पलों के लिए भी, और उन दृश्यों के लिए भी जिन्होंने मेरी कल्पनाओं को पंख दिए।
I really like dating stories, like in Betty and Veronica comics; I like David Lynch and H.P. Lovecraft for the dark gut-wrenching stuff, and I'm inspired by Miyazaki's films for the subtle heart-warming moments, as well as the moments that blew up my imagination.
I really like dating stories, like in Betty and Veronica comics; I like David Lynch and H.P. Lovecraft for the dark gut-wrenching stuff, and I'm inspired by Miyazaki's films for the subtle heart-warming moments, as well as the moments that blew up my imagination.
मैं लोगों से कहता हूँ कि अगर मुझे फिल्म बनानी होती है, तो मैं बस बना लेता हूँ, ताकि आप भी अपनी फिल्म बना सकें।
I tell people if I want to make a film I just go make it so you can make yours.
I tell people if I want to make a film I just go make it so you can make yours.
मैं उस दौर से आता हूँ जब पॉप संगीत संस्कृति की मुख्य पहचान हुआ करता था, और एक तरह से वही एकमात्र पहचान थी; तब फिल्मों और टीवी का उतना महत्व नहीं था - सब कुछ पॉप संगीत के इर्द-गिर्द था। जब मैंने शुरुआत की थी - यानी 60 के दशक की शुरुआत में - तब सब कुछ सिंगल्स और फिर उनसे बनने वाले एल्बमों के बारे में था।
I come from a time when pop music was the coin of the cultural realm and in a certain way was the only coin of the realm; movies didn't matter as much, and not TV - it was all about pop music. In the era when I started - which was the early '60s - it was all about singles leading to albums.
I come from a time when pop music was the coin of the cultural realm and in a certain way was the only coin of the realm; movies didn't matter as much, and not TV - it was all about pop music. In the era when I started - which was the early '60s - it was all about singles leading to albums.
अगर आप लोगों के सामने हैना-बार्बेरा का जिक्र करते, तो वे कहते, "हाँ, फ्लिंटस्टोन, योगी, स्कूबी-डू, जेट्सन्स," और बस इतना ही। हमारे पास ऐसे किरदार हैं जिन्हें हर कोई पहचानता है और बेहतरीन फिल्में भी हैं, लेकिन उनका पूरा फायदा उठाने और उनकी वैल्यू बढ़ाने के लिए कोई व्यवस्थित योजना नहीं थी।
If you mentioned Hanna-Barbera to people, they said, "Oh yeah, Flintstone, Yogi, Scooby-Doo, Jetsons," and that was pretty much it. We have characters with very high recognition factors and great films, but no organized plans for really making the most of them and increasing their value.
If you mentioned Hanna-Barbera to people, they said, "Oh yeah, Flintstone, Yogi, Scooby-Doo, Jetsons," and that was pretty much it. We have characters with very high recognition factors and great films, but no organized plans for really making the most of them and increasing their value.
अगर आप 'बेट्टी बूप' का कोई पुराना कार्टून या 'आउट ऑफ द इंक वेल' एनिमेशन देखें, तो 'एडवेंचर टाइम' में ऐसी कई चीजें हैं जो आपको उनकी याद दिला देंगी, भले ही यह दिखने में उन कार्टूनों जैसा न हो।
If you were to look at an old 'Betty Boop' cartoon or an 'Out of the Ink Well' animation, there are many things about 'Adventure Time' that really remind you of that, even though it doesn't look like any of those cartoons.
If you were to look at an old 'Betty Boop' cartoon or an 'Out of the Ink Well' animation, there are many things about 'Adventure Time' that really remind you of that, even though it doesn't look like any of those cartoons.
मेरा बैकग्राउंड मनोरंजन की मार्केटिंग का रहा है। मार्केटिंग की दुनिया में एक पुरानी कहावत है कि आप किसी लोकप्रिय चीज को और भी लोकप्रिय बना सकते हैं। लेकिन अगर आप किसी कम लोकप्रिय चीज को लें, तो आप उसे मार्केटिंग के दम पर रातों-रात उतना सफल नहीं बना सकते जितनी कि कोई पहले से लोकप्रिय चीज होती है।
My background is that I've spent a lot of time marketing entertainment. One of the old saws in package goods is you can take something that is popular and you can make it more popular. But if you take something less popular, you can't automatically market it into the same success as something that's already popular.
My background is that I've spent a lot of time marketing entertainment. One of the old saws in package goods is you can take something that is popular and you can make it more popular. But if you take something less popular, you can't automatically market it into the same success as something that's already popular.
'द सिम्पसन्स' के शुरुआती सीजन बहुत भावनात्मक और दिल को छू लेने वाले थे। मैं वहीं से प्रेरणा लेने की कोशिश कर रहा हूँ, ऐसी चीजें जो सीधे बच्चों के दिल तक पहुँचें। जब वे कुछ देख रहे होते हैं, तो उन्हें जरूरी नहीं कि पता हो कि वे उसे क्यों पसंद कर रहे हैं।
The early seasons of 'The Simpsons' had a great deal of heart. That's what I'm trying to pull from, the kind of stuff that goes straight to kids' hearts. When they're watching, they don't necessarily know why they love something.
The early seasons of 'The Simpsons' had a great deal of heart. That's what I'm trying to pull from, the kind of stuff that goes straight to kids' hearts. When they're watching, they don't necessarily know why they love something.
जब तक टर्नर ब्रॉडकास्टिंग ने हैना-बार्बेरा को नहीं खरीदा था, यह मूल रूप से एक स्वतंत्र स्टूडियो था जिसका प्लानिंग चक्र नौ महीने का होता था। आपको जनवरी में प्रोजेक्ट मिलता था और सितंबर तक आप उसे ऑन-एयर कर देते थे। यही सिलसिला चलता आ रहा था।
Up until the time Turner Broadcasting bought Hanna-Barbera, it was essentially an independent studio whose planning cycle had to be nine months. You got a pickup in January, and you put it on the air in September. That's been the cycle.
Up until the time Turner Broadcasting bought Hanna-Barbera, it was essentially an independent studio whose planning cycle had to be nine months. You got a pickup in January, and you put it on the air in September. That's been the cycle.