जब आपका मुँह हैरानी से खुला रह जाए, तभी शटर दबा दीजिए।
When your mouth drops open, click the shutter.
When your mouth drops open, click the shutter.
तस्वीर हमेशा वहीं खींचिए जहाँ आप खुद शामिल हों; जहाँ आप अपने सामने के दृश्यों से पूरी तरह अभिभूत हों; जहाँ तस्वीर क्लिक करते वक्त आप अपनी साँसें रोक लेते हैं, इसलिए नहीं कि कैमरा हिल न जाए, बल्कि इसलिए कि आप अपनी रूह के आर-पार देख रहे होते हैं, उस तस्वीर के मीठे दर्द के साथ जो आपकी ज़िंदगी का ही एक हिस्सा है।
You must photograph where you are involved; where you are overwhelmed by what you see before you; where you hold your breath while releasing the shutter, not because you are afraid of jarring the camera, but because you are seeing with your guts wide open to the sweet pain of an image that is part of your life.
You must photograph where you are involved; where you are overwhelmed by what you see before you; where you hold your breath while releasing the shutter, not because you are afraid of jarring the camera, but because you are seeing with your guts wide open to the sweet pain of an image that is part of your life.
एक तरफ आप अपने विषय को अच्छी तरह समझना चाहते हैं। वहीं दूसरी तरफ, उसकी सहजता (स्पॉन्टेनिटी) बनाए रखने के लिए आप चाहते हैं कि वह आपको चौंका दे। अगर आप अपने विषय को बहुत ज़्यादा जानने लगेंगे, तो आप उसे देखना बंद कर देंगे।
On one hand you want to see your subject well. On the other hand, you want to be caught off guard to retain the spontaneity. If you know your subject too well you stop seeing it.
On one hand you want to see your subject well. On the other hand, you want to be caught off guard to retain the spontaneity. If you know your subject too well you stop seeing it.
तस्वीर हमेशा वहीं खींचिए जहाँ आप खुद शामिल हों और जहाँ आप अपने सामने के दृश्यों से पूरी तरह अभिभूत हों।
You must photograph where you are involved; where you are overwhelmed by what you see before you.
You must photograph where you are involved; where you are overwhelmed by what you see before you.
[ह]मने उस ज़िंदगी को देखना बंद कर दिया है जिसमें हम जी रहे हैं। मेरा मकसद देखने वाले को उन नेमतों के पास वापस ले जाना है जो हमारे चारों तरफ बिखरी हुई हैं, ताकि वह उन्हें ऐसे देखे मानो पहली बार देख रहा हो।
[W]e have ceased to see the life in which we live. It is my intent to cause the viewer to revisit the gifts we are surrounded by and see them as if for the first time.
[W]e have ceased to see the life in which we live. It is my intent to cause the viewer to revisit the gifts we are surrounded by and see them as if for the first time.