रैमोन्स बहुत अच्छे लड़कों का समूह था। वे बहुत शांत और शर्मीले स्वभाव के थे। वे शायद फ़िल्म निर्माण की प्रक्रिया से थोड़े डरे हुए थे, शायद इसलिए क्योंकि हमने सुबह 7 बजे ही शूटिंग शुरू कर दी थी। मुझे शूटिंग का पहला दिन अच्छी तरह याद है, जब मैं उनसे मिली और बेडरूम वाला दृश्य शूट किया जिसमें जोई मेरे लिए गाते हैं, और वे सब मेरे छोटे से काल्पनिक दृश्य में मेरे बेडरूम में यहाँ-वहाँ बिखरे हुए थे। हमने फ़िल्म की शूटिंग उसी दृश्य से शुरू की थी। किसी फ़िल्म की शुरुआत करने का यह थोड़ा अजीब तरीका है—"ठीक है, कपड़े उतार दो, और चमड़े की जैकेट और फटी जींस पहने ये अजीब से लड़के तुम्हारे सामने गाना गाएंगे।"
The Ramones were a great bunch of guys. They were very quiet, very shy. They were a little in awe of the filmmaking process, probably because we started at 7 a.m. I do remember the very first day of shooting, I met them and did the scene in the bedroom where Joey sings to me, and they were all scattered around my bedroom in my little fantasy scene. That was the first scene we shot of the movie. That scene is kind of a strange way to start a movie. "Okay, get undressed, and these weird guys in leather jackets and ripped jeans are going to sing to you."
The Ramones were a great bunch of guys. They were very quiet, very shy. They were a little in awe of the filmmaking process, probably because we started at 7 a.m. I do remember the very first day of shooting, I met them and did the scene in the bedroom where Joey sings to me, and they were all scattered around my bedroom in my little fantasy scene. That was the first scene we shot of the movie. That scene is kind of a strange way to start a movie. "Okay, get undressed, and these weird guys in leather jackets and ripped jeans are going to sing to you."
शायद मैं एक सीधी-सादी लड़की थी जिसका फिगर अच्छा था, क्योंकि मुझे बस एक स्विम सूट पहनकर पूल में छलांग लगानी थी। मैं एक तरह से बस देखने में आकर्षक लगने वाली चीज़ (आई कैंडी) थी।
I guess I was a nice girl with a nice figure, because I just had to wear a bathing suit and dive in the pool. I was kind of candy, eye candy.
I guess I was a nice girl with a nice figure, because I just had to wear a bathing suit and dive in the pool. I was kind of candy, eye candy.
'जॉब्रेकर' के लेखक और निर्देशक डार्विन स्टाइन 'कैरी' और 'हैलोवीन' के बहुत बड़े प्रशंसक थे। वह एकदम बच्चे जैसे थे। वह 26 साल के थे, इसलिए फिल्मों के बहुत बड़े दीवाने थे। वह चाहते थे कि 'कैरी' फ़िल्म से विलियम कैट और मैं उनके माता-पिता की भूमिका निभाएँ। हमने कुछ और हिस्से भी शूट किए थे जो बाद में एडिटिंग रूम में काट दिए गए, लेकिन वह सब करना काफी मजेदार था। उस फ़िल्म से जुड़े हर व्यक्ति बहुत अच्छे थे, जिनमें लड़कियाँ भी शामिल थीं, खासकर नई लड़की, वह गोरी लड़की—जूडी ग्रीर।
The Jawbreaker writer-director Darren Stein was a huge fan of Carrie and Halloween. He was like a kid. He was 26, so he was such a fan. He wanted William Katt and I, from Carrie, to be in the movie as the parents. We had a little bit more that ended up on the cutting-room floor, but that was kind of fun. Everybody that worked on that movie was really cool, including the girls, especially the new girl, the blonde, Judy Greer.
The Jawbreaker writer-director Darren Stein was a huge fan of Carrie and Halloween. He was like a kid. He was 26, so he was such a fan. He wanted William Katt and I, from Carrie, to be in the movie as the parents. We had a little bit more that ended up on the cutting-room floor, but that was kind of fun. Everybody that worked on that movie was really cool, including the girls, especially the new girl, the blonde, Judy Greer.
'हैलोवीन' के निर्देशक एक प्रतिभाशाली लड़का था जो अपनी प्रेमिका के साथ मिलकर खुद ही कहानी लिखता, निर्देशन और निर्माण करता था। वे दोनों एक टीम की तरह थे और एक छोटी सी फ़िल्म बना रहे थे। यह अनुभव बिल्कुल अलग था, लेकिन बहुत प्रेरणादायक और मजेदार भी था। साथ ही, इसने मुझे खुलकर improvisation (सहज अभिनय) करने का मौका दिया, क्योंकि वे चाहते थे कि हम लड़कियाँ खुद अपने किरदारों में कुछ वास्तविक जीवन की परतें जोड़कर उनके दायरे को और बड़ा करें।
With Halloween, the director was this genius wonder boy who was the writer, director, producer, along with his girlfriend. They were this team, and they were making this small movie, and it was just completely different, but it was really inspiring and a lot of fun, and also allowed me to do a lot of improvisation, because they just depended on the girls to expand their parts to bring some real life, being girls ourselves, to the characters.
With Halloween, the director was this genius wonder boy who was the writer, director, producer, along with his girlfriend. They were this team, and they were making this small movie, and it was just completely different, but it was really inspiring and a lot of fun, and also allowed me to do a lot of improvisation, because they just depended on the girls to expand their parts to bring some real life, being girls ourselves, to the characters.
हम रॉब ज़ॉम्बी के बहुत अच्छे दोस्त बन गए हैं। उनके 40वें जन्मदिन पर मैंने उन्हें 'हैलोवीन' की अपनी मूल स्क्रिप्ट (मूल पटकथा) उपहार में दी थी। निकोलस केज वहाँ एक सिकुड़ा हुआ सिर (shrunken head) लेकर आए थे जो उन्होंने तोहफे में दिया था, और ऐसी ही कई चीज़ें थीं। मैं सोचने लगी, "मैं रॉब ज़ॉम्बी को क्या दूँ? यह बहुत अजीब बात है।" तभी इत्तेफाक से मेरी नजर स्क्रिप्ट्स के ढेर पर पड़ी और मैंने सोचा, "मेरे बच्चों को इन सबकी कोई ज़रूरत नहीं है। मुझे लगता है कि मुझे अपनी ऑरिजिनल 'हैलोवीन' स्क्रिप्ट उन्हें दे देनी चाहिए, क्योंकि उन्होंने मुझे बताया था कि वह उनकी पसंदीदा फ़िल्म है, और उस दौर में मैं उनकी पसंदीदा अभिनेत्री हुआ करती थी।" मैंने खुद से कहा, "वह इसके हकदार हैं।"
We've become great friends with Rob Zombie, and I gave him my original script for Halloween for his 40th birthday. Like, Nicolas Cage was there with a shrunken head he brought as a gift, all these things, and I'm thinking, "What can I give Rob Zombie? This is very weird." And I just happened to look at my pile of scripts and I went, "My kids don't need all these. I think I'll give him my original Halloween script, since he told me that was his favorite movie, and I was his favorite actress from that time period." I said, "He deserves to have that."
We've become great friends with Rob Zombie, and I gave him my original script for Halloween for his 40th birthday. Like, Nicolas Cage was there with a shrunken head he brought as a gift, all these things, and I'm thinking, "What can I give Rob Zombie? This is very weird." And I just happened to look at my pile of scripts and I went, "My kids don't need all these. I think I'll give him my original Halloween script, since he told me that was his favorite movie, and I was his favorite actress from that time period." I said, "He deserves to have that."
जॉन कारपेंटर बहुत ही सौम्य स्वभाव के थे। वह बहुत संवेदनशील थे। उन्हें कलाकारों से बात करना बहुत पसंद था। वह वाकई चाहते थे कि आप सहज महसूस करें। वह तब तक इंतजार करते थे जब तक आप सीन के लिए पूरी तरह तैयार न हो जाते, और उनमें गजब का आत्मविश्वास है।
John Carpenter was very gentle. He was very tender. He really liked talking to actors. He really wanted you to be comfortable. He waited until you were ready to do the scene, and he has a lot of confidence.
John Carpenter was very gentle. He was very tender. He really liked talking to actors. He really wanted you to be comfortable. He waited until you were ready to do the scene, and he has a lot of confidence.
जो रॉथ, जो आगे चलकर '20th सेंचुरी फॉक्स' के अध्यक्ष बने, वे 'अवर विनिंग सीजन' फ़िल्म के निर्माता थे। यह उनकी शुरुआती फिल्मों में से एक है। यह एक बेहद प्यारी और शानदार छोटी सी फ़िल्म है, जिसमें कई बेहतरीन कलाकार हैं। मुझे नहीं पता कि उस फ़िल्म का क्या हुआ और उसे वह सफलता क्यों नहीं मिली जिसकी वह हकदार थी।
Joe Roth, who ended up becoming president of 20th Century Fox, he was the producer of Our Winning Season. This was one of his first movies. It's just a really great, great little film, a lot of good people in it. I don't know whatever happened to that movie, and why it didn't get the success it deserves.
Joe Roth, who ended up becoming president of 20th Century Fox, he was the producer of Our Winning Season. This was one of his first movies. It's just a really great, great little film, a lot of good people in it. I don't know whatever happened to that movie, and why it didn't get the success it deserves.
मैंने 'अवर विनिंग सीजन' फ़िल्म में काम किया था जिसके निर्माता जो रॉथ थे और निर्देशक जो रुबेन थे (जिन्होंने 'स्लीपिंग विद द एनिमी' बनाई थी)। वह वाकई एक बेहतरीन निर्देशक हैं। वहीं मेरी मुलाकात मेरे पति डेनिस क्वाद से हुई थी। जॉर्जिया में शूटिंग के दौरान मेरी और डेनिस की मुलाकात हुई थी, और मुझे हमेशा लगता रहा है कि वह एक बहुत अच्छी फ़िल्म थी। उस फ़िल्म को ज़रूर याद किया जाना चाहिए, क्योंकि वह वाकई कमाल की है। यह कहना थोड़ा पुराना लग सकता है, लेकिन यहशोइत (coming-of-age) पर आधारित एक बेहद खूबसूरत और बेहतरीन फ़िल्म है, और इसके सभी कलाकार कमाल के हैं।
I did Our Winning Season movie that Joe Roth produced, and Joe Ruben, who did Sleeping With The Enemy. He's a really cool director. That's where I met husband Dennis Quaid. Dennis and I met on location in Georgia, and I always thought that was a really great movie. That movie should be included, because it's a really terrific. It's a trite saying, but it's a real, great coming-of-age piece, and all the actors are wonderful.
I did Our Winning Season movie that Joe Roth produced, and Joe Ruben, who did Sleeping With The Enemy. He's a really cool director. That's where I met husband Dennis Quaid. Dennis and I met on location in Georgia, and I always thought that was a really great movie. That movie should be included, because it's a really terrific. It's a trite saying, but it's a real, great coming-of-age piece, and all the actors are wonderful.
मुझे जॉन बेलुशी के साथ 'द जॉय ऑफ सेक्स' फ़िल्म करनी थी, लेकिन शूटिंग शुरू होने से ठीक एक हफ्ता पहले उनका निधन हो गया। यह एक बहुत बड़ी त्रासदी थी। इस वजह से पूरा प्रोजेक्ट ठंडे बस्ते में चला गया।
I was supposed to do The Joy Of Sex with John Belushi, but the week before we were gonna start filming, he died. So that was really tragic. That put the whole project on the shelf.
I was supposed to do The Joy Of Sex with John Belushi, but the week before we were gonna start filming, he died. So that was really tragic. That put the whole project on the shelf.
'कैरी' एक बड़े स्टूडियो के बैनर तले बनी काफी बड़े बजट की फ़िल्म थी। इसके निर्देशक पहले ही कई काम कर चुके थे और काफी जाने-माने थे, और स्टीफन किंग इसके लेखक थे। उन्हें सेट पर आने की अनुमति नहीं थी, लेकिन कुल मिलाकर वह एक बेहतरीन (A-प्लस) दर्जे का प्रोडक्शन था। तो वह मेरा पहला तजुर्बा था।
Carrie was a pretty big-budget movie at a real studio, with a director that had already done a bunch of things and had some notoriety, and Stephen King was the writer. He was banned from the set, but that was kind of an A-plus production. So that was my first experience.
Carrie was a pretty big-budget movie at a real studio, with a director that had already done a bunch of things and had some notoriety, and Stephen King was the writer. He was banned from the set, but that was kind of an A-plus production. So that was my first experience.
जब जॉन ट्रैवोल्टा को 'द बॉय इन द प्लास्टिक बबल' में काम करने का मौका मिला, तो उन्होंने मुझे और फ़िल्म के कुछ अन्य लोगों को भी वहाँ बुलाया ताकि हम छात्र की भूमिकाएँ निभा सकें और हमारे पास कुछ छोटे-छोटे रोल हों, क्योंकि वह हमारी मदद करना चाहते थे। मुझे उनका यह अंदाज़ बहुत प्यारा लगा।
When John Travolta had the opportunity to do The Boy In The Plastic Bubble, he brought me and a couple other people from the movie to just be the students and have some parts, because he wanted to help us out. I thought that was really sweet.
When John Travolta had the opportunity to do The Boy In The Plastic Bubble, he brought me and a couple other people from the movie to just be the students and have some parts, because he wanted to help us out. I thought that was really sweet.
ब्रायन डी पाल्मा उन गिने-चुने निर्देशकों में से एक थे जो चाहते थे कि हम सब हर रोज़ की शूटिंग (dailies) देखने जाएँ। वह किसी पार्टी जैसा माहौल होता था। 'द बॉय इन द प्लास्टिक बबल' की शूटिंग के बाद, हम सब शाम को करीब 5 या 6 बजे एक साथ चलकर छोटे से थिएटर में जाते थे। हम वहाँ बैठकर पिछले दिन की शूटिंग के फुटेज देखते थे। और जॉन ट्रैवोल्टा, जब भी मैं परदे पर आती थी, हँसते-हँसते लोटपोट हो जाते थे। उन्हें लगता था कि मैं बहुत ही मज़ाकिया और तूफ़ानी हूँ।
Brian De Palma was one of the rare directors who wanted us all to go to dailies. It was like a party. After shooting The Boy In The Plastic Bubble, we'd all walk over together, at like 5 or 6 o'clock, to the little theater. And we'd sit down and watch the dailies from like, the day before. And John Travolta, whenever I came onscreen, he was just laughing hysterically. He just thought I was a riot.
Brian De Palma was one of the rare directors who wanted us all to go to dailies. It was like a party. After shooting The Boy In The Plastic Bubble, we'd all walk over together, at like 5 or 6 o'clock, to the little theater. And we'd sit down and watch the dailies from like, the day before. And John Travolta, whenever I came onscreen, he was just laughing hysterically. He just thought I was a riot.
मैं कोई बहुत ज़्यादा ब्रॉडवे टाइप की लड़की नहीं थी। मुझे फ़िल्मों में अभिनय करना ज़्यादा पसंद था। मुझे रात भर जागना पसंद नहीं था। मैं सिगरेट, शराब या नशीली दवाओं का सेवन नहीं करती थी। इसलिए उस तरह की ब्रॉडवे वाली ज़िंदगी—ऐसा नहीं है कि वे सब यही करते हैं, लेकिन हाँ, वे देर रात तक जागते हैं और रात के 2 बजे तक जो एलन (Joe Allen's) में समय बिताते हैं—वह मेरे बस की बात नहीं थी।
I wasn't especially a Broadway type. I liked film acting better. I didn't want to stay up late. I wasn't a smoker, a drinker, or a drug-taker. So that kind of Broadway life - not that that's what they do. But they do stay up late and hang out at Joe Allen's until 2 in the morning, and that just wasn't for me.
I wasn't especially a Broadway type. I liked film acting better. I didn't want to stay up late. I wasn't a smoker, a drinker, or a drug-taker. So that kind of Broadway life - not that that's what they do. But they do stay up late and hang out at Joe Allen's until 2 in the morning, and that just wasn't for me.
कोका-कोला के विज्ञापन के लिए, वे एक ऐसी हिप्पी दिखने वाली लड़की की तलाश में थे जो सेंट्रल पार्क में हाथ में चिकन की बाल्टी लेकर शहर भर में घूमे, सेंट्रल पार्क साउथ में बैठे, और न्यूयॉर्क की उन तमाम जानी-पहचानी जगहों पर चले जहाँ लोग अक्सर आते-जाते हैं, और बस उस चिकन की बाल्टी से खाती रहे। मुझे वह विज्ञापन भी मिल गया। मुझे लगता है कि यह मेरी शख्सियत का ही हिस्सा था जो एक आम, सुंदर दिखने वाली या मॉडल जैसी लड़की से अलग था। मैं जो कुछ भी करती थी, उसमें थोड़ी ज़्यादा ऊर्जा भर देती थी।
For Coca-Cola, they wanted a hippie-looking girl to walk around the city with a bucket of chicken sitting in Central Park, sitting on Central Park South, walking along all these different areas of New York that people are familiar with, and just eating this bucket of chicken. I got that commercial too. I think it was just part of my personality that was different from just a regular, nice-looking girl that was more of a model-y type. I injected a little more energy into everything I did.
For Coca-Cola, they wanted a hippie-looking girl to walk around the city with a bucket of chicken sitting in Central Park, sitting on Central Park South, walking along all these different areas of New York that people are familiar with, and just eating this bucket of chicken. I got that commercial too. I think it was just part of my personality that was different from just a regular, nice-looking girl that was more of a model-y type. I injected a little more energy into everything I did.
मैं जैक्सन ब्राउन, द ईगलिस और लिंडा रॉनस्टाड के गाने सुना करती थी। रैमोन्स मेरे पसंद का संगीत नहीं था। लेकिन अब, मैं उनकी बहुत बड़ी फैन हूँ और उनकी कला को समझती हूँ। शुरुआत में मैं पैंक-रॉक की बहुत बड़ी फैन नहीं थी। लेकिन अब, मैं समझ सकती हूँ कि वे किस बात के लिए खड़े थे और उनका वजूद क्या था।
I had been listening to Jackson Browne, The Eagles, and Linda Ronstadt. Ramones was not my kind of music. Now, I'm a huge fan and I get it. I wasn't initially a punk-rock fan. Now, I can appreciate what they stood for and who they were.
I had been listening to Jackson Browne, The Eagles, and Linda Ronstadt. Ramones was not my kind of music. Now, I'm a huge fan and I get it. I wasn't initially a punk-rock fan. Now, I can appreciate what they stood for and who they were.
'रॉक एन रोल हाई स्कूल' फ़िल्म में अगर हम एक सीन के दो टेक भी ठीक से दे पाते थे, तो हम खुद को बहुत भाग्यशाली मानते थे। लेकिन रैमोन्स का बहुत सारा हिस्सा काट दिया गया था। मुझे लगता है कि मार्की रैमोन्स, मिस्टर मैकग्री को "मिस्टर मैकगलूब" कह देते थे। लेकिन यह बात बड़ी प्यारी और दिल को छू लेने वाली थी, जिससे रैमोन्स के प्रति प्यार और बढ़ जाता था। कभी-कभी ऐसी छोटी-मोटी गलतियाँ फ़िल्म निर्माताओं के पक्ष में काम कर जाती हैं। वे एक साँस में एक वाक्य से ज़्यादा बोल ही नहीं पाते थे। यह थोड़ा अजीब था। मुझे लगता है कि वे बस थोड़े घबराए हुए थे।
We were lucky if we got two takes out of a scene in the Rock 'N' Roll High School. But the Ramones did get a lot of material cut out. I think Marky Ramone calls Mr. McGree "Mr. McGlube." But that was sort of endearing and charming, and made you just love the Ramones even more. Sometimes those flubs work in favor of the filmmakers. They just couldn't get out more than one sentence in a row. It was just kind of weird. I think they were just nervous.
We were lucky if we got two takes out of a scene in the Rock 'N' Roll High School. But the Ramones did get a lot of material cut out. I think Marky Ramone calls Mr. McGree "Mr. McGlube." But that was sort of endearing and charming, and made you just love the Ramones even more. Sometimes those flubs work in favor of the filmmakers. They just couldn't get out more than one sentence in a row. It was just kind of weird. I think they were just nervous.
साल में चार बार वार्नर ब्रॉस रिकॉर्ड्स वाले अपनी छोटी-छोटी रिपोर्ट भेजते हैं, जो करीब आठ पन्नों की होती हैं और उसमें दुनिया भर के तमाम देश शामिल होते हैं, और आखिर में मुझे 48 डॉलर का चेक मिलता है। लेकिन ज़ाहिर है कि रैमोन्स अच्छी खासी कमाई करते होंगे, क्योंकि उन्हें 'रॉक एन रोल हाई स्कूल' से रॉयल्टी का हिस्सा ज़रूर मिलता होगा।
Four times a year, Warner Bros. Records send out their little statements, and they're like eight pages with all the countries from all over the world, and I end up getting a check for $48. But I think, obviously, the Ramones make some good money, because they must get a writer's share from the Rock 'N' Roll High School.
Four times a year, Warner Bros. Records send out their little statements, and they're like eight pages with all the countries from all over the world, and I end up getting a check for $48. But I think, obviously, the Ramones make some good money, because they must get a writer's share from the Rock 'N' Roll High School.
जापान के लोग हर तरह के संगीत के बहुत बड़े प्रशंसक हैं। मुझे लगता है कि वही मेटल संगीत को ज़िंदा रखे हुए हैं। वे संगीत का बहुत समर्थन करते हैं और उससे सच्चा प्यार करते हैं। मुझे लगता है कि संगीत उनके लिए अपनी भड़ास निकालने और अभिव्यक्ति का एक बेहतरीन ज़रिया है।
Japan has really great fans for all kinds of music. I think they're keeping metal alive. They're really great supporters, and they really love music. I think it's a total outlet for them.
Japan has really great fans for all kinds of music. I think they're keeping metal alive. They're really great supporters, and they really love music. I think it's a total outlet for them.
मुझे लगता है कि जापान के लोग बहुत कड़ी मेहनत करते हैं, और जब उन्हें संगीत सुनने का मौका मिलता है, तो वे पूरी तरह झूम उठते हैं। और रैमोन्स जापान के लिए एकदम सही बैठते, क्योंकि जापान ने ही कार्टून का आविष्कार किया है, और रैमोन्स (खासकर 'रॉक एन रोल हाई स्कूल' में) बहुत हद तक कार्टून जैसे ही लगते हैं। इसलिए वे वहाँ के लिए एकदम सही ग्रुप होते।
I think Japans work really hard, and when they have a chance to listen to music, they just go crazy. And the Ramones would be a natural fit for Japan, because Japan invented the cartoon, and the Ramones, especially in Rock 'N' Roll High School, are very cartoonish. So it'd be a perfect group for them.
I think Japans work really hard, and when they have a chance to listen to music, they just go crazy. And the Ramones would be a natural fit for Japan, because Japan invented the cartoon, and the Ramones, especially in Rock 'N' Roll High School, are very cartoonish. So it'd be a perfect group for them.
अमेरिकी युवा संस्कृति की हास्य-छवि (caricature) को पेश करने की मेरी अपनी रणनीति थी, जो सालों तक इस पर चर्चा होने के बाद आखिरकार सफल रही। इसके लिए मेरे पास सीमित चीज़ें थीं। मैं 'रॉक एन रोल हाई स्कूल' के लिए अपने कपड़े खुद खरीदना चाहती थी, जिसके लिए उन्होंने तुरंत "हाँ" कह दिया क्योंकि उनका कपड़ों का बजट सिर्फ 200 डॉलर था, और आखिर में मैंने अपनी पूरी सैलरी—जो शायद 2100 डॉलर थी—अपने कपड़ों पर ही खर्च कर दी। इसके अलावा, जब भी मैं परदे पर होती थी, मैं अपनी तरफ से पूरी ऊर्जा लगाना चाहती थी। मुझे लगता है कि यह चीज़ मेरे किरदार के लिए एकदम सटीक बैठी।
My strategy to show caricature idea of American youth culture, which I think worked after talking about it for so many years, is that I had only a few things. I wanted to buy my own wardrobe for Rock 'N' Roll High School, which of course they said "Yes" to, because their clothing budget was $200, and I ended up spending my whole salary - which I think was about $2,100 - on my clothes. And also, any time I was onscreen, I wanted to have as much energy as I possibly could. I think it just really worked for the character.
My strategy to show caricature idea of American youth culture, which I think worked after talking about it for so many years, is that I had only a few things. I wanted to buy my own wardrobe for Rock 'N' Roll High School, which of course they said "Yes" to, because their clothing budget was $200, and I ended up spending my whole salary - which I think was about $2,100 - on my clothes. And also, any time I was onscreen, I wanted to have as much energy as I possibly could. I think it just really worked for the character.
विज्ञापनों के लिए ऑडिशन देना हमेशा से मजेदार होता था, क्योंकि वह मेरे करियर की शुरुआत थी और मैं यह समझ रही थी कि एक मॉडल के मुकाबले मुझे खुद को एक अभिनेत्री के रूप में कैसे पेश करना है, क्योंकि 70 के दशक की शुरुआत में मॉडलें बिल्कुल अलग हुआ करती थीं। तब आमतौर पर अभिनय के लिए मॉडल नहीं चुने जाते थे। लेकिन मैंने पहले विज्ञापनों में अभिनय किया और उसके बाद मॉडलिंग की, इसलिए मेरा सफर थोड़ा अलग था।
It was always fun auditioning for commercials, because that was the beginning of my career, and me figuring out how I was going to portray myself as an actress vs. a model, because models were very different back then in the early '70s. They didn't usually hire models for acting. But I acted first in commercials and then I did modeling, so it was a little different.
It was always fun auditioning for commercials, because that was the beginning of my career, and me figuring out how I was going to portray myself as an actress vs. a model, because models were very different back then in the early '70s. They didn't usually hire models for acting. But I acted first in commercials and then I did modeling, so it was a little different.
मैं हमेशा से कविताएँ और गाने के बोल लिखती रही हूँ। मेरे पहले पति एक संगीतकार थे, और हमने मिलकर कई गाने लिखे थे।
Ive always written poetry and lyrics. My first husband, who was a musician, we wrote a bunch of songs together.
Ive always written poetry and lyrics. My first husband, who was a musician, we wrote a bunch of songs together.
रैमोन्स मेरे सुर (key) के हिसाब से नहीं बजा पा रहे थे। वे अपनी धुन के सुर नहीं बदल सकते थे, इसलिए 'रॉक एन रोल हाई स्कूल' के मेरे वर्जन के लिए एड स्टासियम को सचमुच सारे वाद्य यंत्र खुद बजाने पड़े थे, और मुझे यह बात हमेशा बहुत अजीब लगती थी, क्योंकि वह रैमोन्स का बजाया हुआ संगीत नहीं है। वह तो उनके निर्माता का बजाया हुआ है, जो इत्तेफाक से एक संगीतकार थे और सब कुछ बजा सकते थे।
The Ramones couldn't play in my key. They couldn't switch keys, so Ed Stasium literally had to play all the instruments for my version of "Rock 'N' Roll High School," and I always thought that was so weird, because it's not the Ramones playing. It's the producer, who happened to just be a musician and could play everything.
The Ramones couldn't play in my key. They couldn't switch keys, so Ed Stasium literally had to play all the instruments for my version of "Rock 'N' Roll High School," and I always thought that was so weird, because it's not the Ramones playing. It's the producer, who happened to just be a musician and could play everything.
मुझे लगता है कि हेरोल्ड रामिस प्रतिभा से भी परे एक जीनियस हैं, और वह अब तक के सबसे नेक, सबसे मजाकिया और सबसे प्यारे इंसान हैं। तो मुझे नहीं पता कि यह बात हर किसी पर लागू होती है या नहीं, लेकिन शायद इसका संबंध आपके बचपन से होता है।
I think Harold Ramis is a genius beyond genius, and he's the nicest guy, funniest guy, sweetest guy ever. So I don't know if it applies to everybody, but maybe it has to do with your childhood.
I think Harold Ramis is a genius beyond genius, and he's the nicest guy, funniest guy, sweetest guy ever. So I don't know if it applies to everybody, but maybe it has to do with your childhood.
मुझे कभी भी गानों के बोल या एक ही तरह का संगीत पसंद नहीं आया। ऐसा लगता था कि सबका तालमेल या रिदम एक जैसी ही है। लेकिन जब संगीत में थोड़ा सा रॉक का तड़का लगा, तो वह मुझे पसंद आने लगा। मुझे किड रॉक द्वारा कंट्री म्यूजिक में किया गया बदलाव पसंद है। मुझे आजकल आ रहा सारा आधुनिक और नया संगीत पसंद है, और यह इत्तेफाक की बात है कि मेरा प्रेमी कोई कंट्री म्यूज़िशियन नहीं, बल्कि एक रॉक संगीतकार रहा है।
I never really liked the lyrics or the sameness of the music. It always seemed to have the same rhythm or whatever. But when it turned a little more rock, I kind of liked it. I like what Kid Rock did to country. I like all the modern, new stuff that's coming out, and it just so happens that my boyfriend is not a country player, but he was a rock musician.
I never really liked the lyrics or the sameness of the music. It always seemed to have the same rhythm or whatever. But when it turned a little more rock, I kind of liked it. I like what Kid Rock did to country. I like all the modern, new stuff that's coming out, and it just so happens that my boyfriend is not a country player, but he was a rock musician.