हमने इस प्रक्रिया को फोटोमोंटेज कहा, क्योंकि यह इस बात का प्रतीक था कि हम एक कलाकार की भूमिका निभाने से इनकार करते थे। हम खुद को इंजीनियर मानते थे और अपने काम को निर्माण समझते थे: हमने अपने काम को एक मिस्त्री की तरह जोड़ा था।
We called [the] process photomontage, because it embodied our refusal to play the part of the artist. We regarded ourselves as engineers, and our work as construction: we assembled our work, like a fitter.
We called [the] process photomontage, because it embodied our refusal to play the part of the artist. We regarded ourselves as engineers, and our work as construction: we assembled our work, like a fitter.
[डाडावाद] पूरी तरह से सहज दयालुता और उपहास है, जो सटीक फोटोग्राफी के साथ मिलकर साझा अनुभवों में संवाद और संतुलन का एकमात्र वैध दृश्य रूप है।
[Dada is] perfectly kindhearted malice, alongside exact photography the only legitimate pictorial form of communication and balance in shared experience.
[Dada is] perfectly kindhearted malice, alongside exact photography the only legitimate pictorial form of communication and balance in shared experience.
ज़रूरी बात यह है कि हमारी दृष्टि सौंदर्य की पारंपरिक धारणाओं से आज़ाद हो और अपने आपको पल-भर के उस सौंदर्य तथा उन अनोखे नज़ारों के प्रति खोले जो एक पल के लिए प्रकट होते हैं और फिर कभी लौटकर नहीं आते; यही बातें फोटोग्राफी को एक कला बनाती हैं।
What is important is that our optical awareness rids itself of classical notions of beauty and opens itself more and more to the beauty of the instant and of these surprising points of view that appear for a brief moment and never return; those are what make photography an art.
What is important is that our optical awareness rids itself of classical notions of beauty and opens itself more and more to the beauty of the instant and of these surprising points of view that appear for a brief moment and never return; those are what make photography an art.
एक फोटोग्राफर होने का मतलब है अपने आस-पास की दिखने वाली दुनिया के प्रति सचेत होना और साथ ही उससे व्यक्तिगत और सामूहिक दृष्टि की एक नई समझ हासिल करना। क्यों? क्योंकि हर व्यक्ति अपने तरीके से देखता है, लेकिन वह किसी खास दौर के सांस्कृतिक पैमानों से गढ़ी गई छवियों से ज़्यादा कुछ नहीं देख पाता।
To be a photographer is to become aware of visible appearances and at the same time acquire from them an education in individual and common optical aperception. Why? Because every individual sees in his own way but see little more than images shaped by the cultural standards of a given period.
To be a photographer is to become aware of visible appearances and at the same time acquire from them an education in individual and common optical aperception. Why? Because every individual sees in his own way but see little more than images shaped by the cultural standards of a given period.