मैंने न तो थिएटर की पढ़ाई की थी और न ही अभिनय का कोई प्रशिक्षण लिया था, लेकिन मेरे पास गति, कंपोज़िशन और इस बात की समझ ज़रूर थी कि अंत में चीज़ें कैसी दिखेंगी। शुक्र है कि मेरे पास अच्छे अभिनेता दोस्त थे जो किरदारों को गढ़ने में मेरी मदद करते थे और खुद को उस मुकाम तक ले जाते थे जहाँ एक अच्छे निर्देशक को उन्हें पहुँचाना चाहिए।
I hadn't studied theatre and I hadn't studied actor training or anything, but I did have a sense of movement and composition, and what the final product would be like, but luckily I had friends who were good actors, who would help me get them, who would get themselves to the place where a good director should get them to build characters.
I hadn't studied theatre and I hadn't studied actor training or anything, but I did have a sense of movement and composition, and what the final product would be like, but luckily I had friends who were good actors, who would help me get them, who would get themselves to the place where a good director should get them to build characters.
लेखकों के प्रति मेरे मन में अपार सम्मान है जो अपनी तड़प और अपने जुनून को नाटकों के पन्नों पर उतार देते हैं।
I have a tremendous respect for writers who scribble away their torments, and their passions into plays.
I have a tremendous respect for writers who scribble away their torments, and their passions into plays.
मुझे अपनी रचनाओं का मंचन करवाना पसंद है। मैं यह नहीं कह रहा कि मैं सिर्फ कमर्शियल बनने के लिए लिखता हूँ, वैसे 'हेज़लवुड हाई' में वे एक लड़की को आग लगा देते हैं, तो वह कोई बहुत...
I like to get produced. I'm not saying I write to be commercial, I mean "Hazelwood High" they light a girl on fire, so it wasn't the most.
I like to get produced. I'm not saying I write to be commercial, I mean "Hazelwood High" they light a girl on fire, so it wasn't the most.
कलम उठाने से पहले, मैं यह पता लगाना पसंद करता हूँ कि जिस चीज़ में मेरी रुचि है, उसके प्रोडक्शन या मंचन के क्या अवसर हैं।
I like to figure out what the production opportunities are for the things I'm interested in before I put pen to paper.
I like to figure out what the production opportunities are for the things I'm interested in before I put pen to paper.
मूल रूप से मैं थिएटर का बहुत बड़ा दीवाना था। मैंने होम बॉक्स ऑफिस के साथ लंबे समय तक थिएटर कंसलटेंट के रूप में काम किया।
Basically I was a theatre fanatic. I had a job with Home Box Office as a theatre consultant for a long time.
Basically I was a theatre fanatic. I had a job with Home Box Office as a theatre consultant for a long time.
मैं बस चीज़ों में ज़्यादा सक्रिय रूप से जुड़ना चाहता था, और चूँकि इस काम की प्रकृति ही ऐसी थी जिसमें प्रोडक्शन से अलग केवल लेखन का मूल्यांकन करना होता था, इसलिए मुझे निर्देशक के काम की स्पष्ट समझ मिल गई। मुझे निर्देशन में दिलचस्पी पैदा हुई, और फिर मैंने अस्सी के दशक के आखिर में यह काम शुरू कर दिया।
I just started to want to be more hands on, and again, because of the nature of this job which was to evaluate the writing apart from the production, I got clear on what a director did and I became interested in directing, so I started to do that in the late 80s.
I just started to want to be more hands on, and again, because of the nature of this job which was to evaluate the writing apart from the production, I got clear on what a director did and I became interested in directing, so I started to do that in the late 80s.
अच्छी बात यह थी कि मेरे पास ऐसे दोस्त थे जो बेहतरीन अभिनेता थे और थिएटर से जुड़े थे, क्योंकि मुझे लगता है कि मेरी ताकत चीज़ों को दृश्यों या तस्वीरों के रूप में देखने में थी।
What was good was that I had friends who were actors and in theatre who were really good, because I think my strengths were visual, like pictorial.
What was good was that I had friends who were actors and in theatre who were really good, because I think my strengths were visual, like pictorial.