जब किसी के घर के पिछले हिस्से में डिज्नी वर्ल्ड हो, तो आप समझ जाते हैं कि वह बहुत बड़े पैमाने पर सोच रहा है।
Anytime a person has Disney World in their backyard, you know they're thinking big.
Anytime a person has Disney World in their backyard, you know they're thinking big.
मैंने माइकल जैक्सन के 'इनविंसिबल' एल्बम के लिए लगभग सात गाने किए थे, लेकिन उन सात गानों तक पहुँचने के लिए शायद मैंने 60 गाने बनाए होंगे। आप कभी नहीं जानते कि क्या होने वाला है।
I did like seven songs on Michael Jackson's Invincible album, but I might have done 60 songs to get to those seven. You don't know what's going to happen.
I did like seven songs on Michael Jackson's Invincible album, but I might have done 60 songs to get to those seven. You don't know what's going to happen.
मेरे पास एक कैंप था इसलिए मैं अपने लेखकों को ले आया - लाशॉन डेनियल्स और उस समय एनेशा और एंथी [बिर्चेट], जो बहनें थीं, और यह लड़की डेलिशा [थॉमस] और मकेबा [रिडिक]। मैंने अलग-अलग विचारों पर काम करने के लिए मूल रूप से पाँच लेखकों को लिया था। या तो आपकी बात बनेगी या फिर आप बाहर हो जाएंगे।
I have a camp so I brought my writers, LaShawn Daniels and at the time, Anesha and Antea [Birchett], they were sisters, and this girl Delisha [Thomas] and Makeba [Riddick]. I brought basically five writers to work on different ideas. You either make the cut or you don't.
I have a camp so I brought my writers, LaShawn Daniels and at the time, Anesha and Antea [Birchett], they were sisters, and this girl Delisha [Thomas] and Makeba [Riddick]. I brought basically five writers to work on different ideas. You either make the cut or you don't.
यह हमारे उद्योग में आम बात है, जहाँ कुछ गाने चुन लिए जाते हैं और कुछ नहीं। बुरा तब लगता है जब आपका गाना नहीं चुना जाता और आप उस प्रोजेक्ट का हिस्सा नहीं बन पाते।
That's common in our industry, where some songs make the cut, some don't. It's bad when it doesn't make the cut and you don't get in on the project.
That's common in our industry, where some songs make the cut, some don't. It's bad when it doesn't make the cut and you don't get in on the project.
माइकल जैक्सन के बाद दृढ़ निश्चय और लगन के मामले में मैंने जितनी भी देखी हैं, उनमें से बेयोंसे शायद उनके सबसे करीब हैं।
She [Beyonce]is probably the closest thing we've seen to Michael Jackson as far as having that determination and drive that I've ever seen.
She [Beyonce]is probably the closest thing we've seen to Michael Jackson as far as having that determination and drive that I've ever seen.
यह रिकॉर्डिंग का कोई आम शिफ्ट नहीं है जहाँ आपने एक गाना बनाया, उसे ठीक-ठाक करने के लिए एक दिन मिला और तीसरे दिन आपने उसे मिक्स कर दिया। यह किसी एक गाने को तैयार करने में लगने वाले समय में उससे दोगुना काम करने जैसा है।
It's not a normal recording shift where you do a song and you get a day to tweak it and the third day you mix it. It's like double the work in the period of time it would take to do one.
It's not a normal recording shift where you do a song and you get a day to tweak it and the third day you mix it. It's like double the work in the period of time it would take to do one.
बेयोंसे ने हमें दिशा दिखाई, और उनके पास एक साथ चार या पाँच स्टूडियो चल रहे थे, लेकिन फिर भी वह वही गाती हैं जो उन्हें पसंद आता है। "बैक अप" उन्हीं रिकॉर्ड में से एक था।
Beyonce gave us direction, and she had like four or five studios going at one time, but then she only sings what she likes. "Back Up" was one of those records.
Beyonce gave us direction, and she had like four or five studios going at one time, but then she only sings what she likes. "Back Up" was one of those records.
जब बेयोंसे जैसी किसी बड़े कद की कलाकार की बात होती है, तो हम बहुत सारे गाने बनाते हैं। आप उन्हें एक गाना नहीं भेजते; आप उन्हें 20 अलग-अलग आइडिया भेजते हैं।
It's just kind of, we do a lot of songs when it's an artist of that magnitude, like Beyoncé. You're not sending her one song; you're sending her 20 ideas.
It's just kind of, we do a lot of songs when it's an artist of that magnitude, like Beyoncé. You're not sending her one song; you're sending her 20 ideas.
बेयोंसे अब ज़्यादा परिपक्व हो गई हैं, वह अपने दम पर एक स्वतंत्र महिला हैं। यह बात उनमें हमेशा से थी।
Beyonce is more mature, she's her own woman. She always had it in her.
Beyonce is more mature, she's her own woman. She always had it in her.
बेयोंसे अच्छी तरह जानती हैं कि उन्हें अपने प्रोजेक्ट्स में क्या चाहिए, क्या नहीं और उन्हें किस दिशा में आगे बढ़ना है। वह अपनी राह खुद बनाती हैं। वास्तव में ऐसा कोई नहीं है जो उनसे मुकाबला कर सके। वह अपनी ही दुनिया में हैं।
Beyonce knows exactly what she wants, what she needs in her projects, where she wants to go. She's creating her own lane. There's really no one out there who can compete with her. She's in her own world.
Beyonce knows exactly what she wants, what she needs in her projects, where she wants to go. She's creating her own lane. There's really no one out there who can compete with her. She's in her own world.
मुझे याद है जब मुझे इस प्रोजेक्ट पर काम करने के लिए बेयोंसे का पहली बार फोन आया था, और उनका जो मूड और मिजाज था, वह चाहती थीं कि उनके काम में न्यू ऑरलियन्स से प्रेरित संगीत को शामिल किया जाए। क्रियोल शैली का संगीत। ज़ायदेखो... वह वैसी ही प्रेरणा चाहती थीं।
I remember when I first got the call from Beyoncé to work on the project, and the mood that she was in and she was feeling, she wanted New Orleans-inspired music to be incorporated to the stuff she was doing. Creole-type stuff. Zydeco... She wanted that type of inspiration.
I remember when I first got the call from Beyoncé to work on the project, and the mood that she was in and she was feeling, she wanted New Orleans-inspired music to be incorporated to the stuff she was doing. Creole-type stuff. Zydeco... She wanted that type of inspiration.