हम बिल विलियम शैटनर के नेतृत्व में कुक्लुक्स क्लान की एक परेड की शूटिंग कर रहे थे, और वह गाड़ियों के काफिले के साथ, जिनमें क्रूस (सूली) उठाए हुए लोग नकाब पहने थे, शहर के अश्वेत इलाके से गुजरे, और फिर उन्होंने जलता हुआ क्रूस जलाया। हमने देर रात शूटिंग की; मैंने कहा, "कट, प्रिंट!" और सबने कहा, "चलो, यहाँ से निकलो!" लोग अपनी गाड़ियों की तरफ दौड़े, ग्रिप्स ने आखिरी सामान ट्रकों में फेंका और हम सीधे उत्तर की तरफ निकल पड़े
We were shooting a Ku Klux Klan parade led by Bill William Shatner, and he went through the black part of town in a parade of cars carrying crosses with the hoods, and then they burned the flaming cross. We shot late at night; I said, "Cut, print!" and everybody went, "Yeah, we're out of here!" Guys raced to their cars, the grips threw the last couple of things in the trucks and we just drove straight north
We were shooting a Ku Klux Klan parade led by Bill William Shatner, and he went through the black part of town in a parade of cars carrying crosses with the hoods, and then they burned the flaming cross. We shot late at night; I said, "Cut, print!" and everybody went, "Yeah, we're out of here!" Guys raced to their cars, the grips threw the last couple of things in the trucks and we just drove straight north
स्ट्रॉबेरी सारोयान द्वारा लिया गया साक्षात्कार, "किंग ऑफ द किलर बीज़" में उद्धृत, द टेलीग्राफ (6 मई, 2007)
* Interviewed by Strawberry Saroyan, as cited in "King of the killer B's"], The Telegraph (May 6, 2007)
* Interviewed by Strawberry Saroyan, as cited in "King of the killer B's"], The Telegraph (May 6, 2007)
अमेरिकन साउथ में 'द इंट्रूडर' (1962) की लोकेशन पर शूटिंग
* Shooting The Intruder (1962) on location in the American South
* Shooting The Intruder (1962) on location in the American South
मैं एक बहुत ही सीधे-साधे इंसान के रूप में सामने आता हूँ और लोग इस बात से अक्सर हैरान रह जाते हैं... जाहिर है मेरा अवचेतन मन किसी उबलते हुए नरक की तरह होगा
I come across as a very straightforward guy and that tends to surprise people ... Clearly my subconscious mind must be some kind of boiling inferno
I come across as a very straightforward guy and that tends to surprise people ... Clearly my subconscious mind must be some kind of boiling inferno
जब उनसे पूछा गया कि उन्होंने अपनी कंपनी द्वारा वितरित आर्ट-हाउस फिल्मों जैसी फिल्में क्यों नहीं बनाईं: यह आर्थिक स्थिति का मामला है। वे सभी फिल्में यूरोप में सरकारी सब्सिडी से बनाई गई थीं। फेलिनी, बर्गमैन, त्रुफ्फो को अपना पैसा वापस कमाने की चिंता नहीं करनी पड़ती थी, इसलिए वे अपनी पसंद का काम करने के लिए स्वतंत्र थे। अमेरिका में स्थिति अलग है। यह पैसा कमाने का उद्योग है, इसलिए आपको वैसा ही करना पड़ता है
Asked why he never made a film like the art house titles his company distributed: It's an economic situation. All of those films were made in Europe with government subsidies. Fellini, Bergman, Truffaut did not have the necessity of having to earn their money back and so they were free to do what they liked. In the US it's different. It's a money-making industry, so that's what you have to do
Asked why he never made a film like the art house titles his company distributed: It's an economic situation. All of those films were made in Europe with government subsidies. Fellini, Bergman, Truffaut did not have the necessity of having to earn their money back and so they were free to do what they liked. In the US it's different. It's a money-making industry, so that's what you have to do
मैं नहीं जानता कि खुद को कलाकार कहूँ या नहीं... मैं तो यही कहूँगा कि मैं एक कारीगर हूँ। मैं अपनी कला को बेहतरीन तरीके से निभाने की कोशिश करता हूँ। अगर कभी-कभार कोई चीज़ कारीगरी से परे कुछ और बन जाती है, तो यह बहुत बड़ी बात है... ऐसा अक्सर नहीं होता
I don't know if I would say I'm an artist. ... I would say that I'm a craftsman. I attempt to ply my trade in the best possible way. If occasionally something transcends the craft, then that's wonderful. ... It doesn't happen very often
I don't know if I would say I'm an artist. ... I would say that I'm a craftsman. I attempt to ply my trade in the best possible way. If occasionally something transcends the craft, then that's wonderful. ... It doesn't happen very often
एक साक्षात्कार से, "रोजर कॉरमैन: 'माय सबकॉन्शियस मस्ट बी एन इन्फर्नाईो'" में उद्धृत, द गार्डियन (19 मई, 2011)
* From an interview, as cited in "Roger Corman: 'My subconscious must be an inferno'"], The Guardian (May 19, 2011)
* From an interview, as cited in "Roger Corman: 'My subconscious must be an inferno'"], The Guardian (May 19, 2011)
मेरे पिता एक इंजीनियर थे और मैं उनके नक्शेकदम पर चलना चाहता था, लेकिन फिल्में मेरा असली जुनून बन गईं। इंजीनियरिंग में सावधानीपूर्वक योजना बनाना बहुत महत्वपूर्ण होता है, इसलिए मैंने फिल्म की प्री-प्रोडक्शन (पूर्व-तैयारी) में उसी अनुभव का उपयोग किया। कम बजट के कारण, मेरे पास यह गुंजाइश नहीं थी कि 10 दिन की फिल्म की शूटिंग के दौरान मैं कलाकारों और क्रू को दिनों तक बैठाए रखूँ और यह सोचता रहूँ कि क्या और कैसे शूट करना है
My father was an engineer and I intended to follow in his footsteps, but movies became my real passion. Careful planning is important in engineering, so I used that experience to focus on film preproduction. With the low budgets I had, I couldn't afford to have the cast and crew waiting around for days on a 10-day picture while I figured out how and what to shoot
My father was an engineer and I intended to follow in his footsteps, but movies became my real passion. Careful planning is important in engineering, so I used that experience to focus on film preproduction. With the low budgets I had, I couldn't afford to have the cast and crew waiting around for days on a 10-day picture while I figured out how and what to shoot
"रोजर कॉरमैन स्टिल द कल्ट क्लासिक किंग", द स्पेक्ट्रम (17 अक्टूबर, 2016)
* "Roger Corman still the Cult Classic King"], The Spectrum (October 17, 2016)
* "Roger Corman still the Cult Classic King"], The Spectrum (October 17, 2016)
यह सिर्फ फिल्मों को देखने के बारे में नहीं है, बल्कि यह समझने के बारे में है कि वे कैसे बनाई गईं—उनकी तैयारी और जरूरत पड़ने पर बदलाव करने की इच्छा, खासकर यदि आप कम बजट में काम कर रहे हैं। मैंने अपनी बनाई हर फिल्म को गंभीरता से लिया और हर एक में अपना सर्वश्रेष्ठ दिया
It's not so much watching them but understanding how they were made – the preparation and willingness to deviate when necessary especially if you're on a low budget, I also took every film I made seriously and did my best on every one
It's not so much watching them but understanding how they were made – the preparation and willingness to deviate when necessary especially if you're on a low budget, I also took every film I made seriously and did my best on every one