क्योंकि मेरे लिए, 60 के दशक का पॉप संगीत सबसे जटिल संगीत शैलियों में से एक है क्योंकि इसमें कई ऐसी परतें हैं जो सीधे दिल को छू जाती हैं। संगीत खुद अक्सर सरल होता है, लेकिन जिस तरह से मैं इसकी व्याख्या करता हूँ, या मुझे लगता है कि सांस्कृतिक रूप से इसे समझा जाता है, वह बहुत जटिल है।
Because for me, '60s pop music is amongst the most complicated or complex music because it has so many resonances which strike you. The music itself is often simple, but the way that I interpret it, or the way I think it's interpreted culturally, is very complex.
Because for me, '60s pop music is amongst the most complicated or complex music because it has so many resonances which strike you. The music itself is often simple, but the way that I interpret it, or the way I think it's interpreted culturally, is very complex.
मेरी पसंदीदा रिकॉर्ड दुकान का नाम 'रिकमेंडेड रिकॉर्ड्स' था, जो दक्षिण लंदन में मेरे घर के पास थी—वहां 1979 में रिलीज हुए 'फॉस्ट' (Faust) के सभी मूल रीइश्यू मिलते थे, और वे 'सन रा' (Sun Ra) का काम भी काफी रखते थे। वह एक बेहतरीन रिकॉर्ड शॉप थी।
My favorite record shop was called Recommended Records, in South London near where I lived - they did all the original Faust reissues that came out in 1979, and they also did a lot of Sun Ra stuff. They were a great record shop.
My favorite record shop was called Recommended Records, in South London near where I lived - they did all the original Faust reissues that came out in 1979, and they also did a lot of Sun Ra stuff. They were a great record shop.
मुझे लगता है कि संगीत पर लिखने वाले ज्यादातर लोग सिर्फ कागज़ भरना चाहते हैं। वे किसी चीज़ की तह तक जाने में बिल्कुल दिलचस्पी नहीं रखते। वरना, वे जो लिखते हैं, वह कभी न लिखते।
I think that most people who write about music just want to fill some paper. They're not really interested in getting to the heart of something. Otherwise, they wouldn't write what they write.
I think that most people who write about music just want to fill some paper. They're not really interested in getting to the heart of something. Otherwise, they wouldn't write what they write.
बहुत सी प्रेरणा उन ध्वनियों से मिलती है जिनसे हम अपने प्रयोगों के दौरान आकर्षित हो जाते हैं, और उनमें छिपी संभावनाओं के कारण वे हमें किसी खास दिशा में ले जा सकती हैं।
A lot of inspiration comes from the sounds that we are attracted to when we come across them in our experiments and may lead us into a certain direction because of inherent possibilities we hear in them.
A lot of inspiration comes from the sounds that we are attracted to when we come across them in our experiments and may lead us into a certain direction because of inherent possibilities we hear in them.
साउंडट्रैक पर काम करने की बात मुझे इसलिए पसंद आई क्योंकि यह किसी बैंड की सामान्य रिकॉर्डिंग के बिल्कुल उलट है, क्योंकि यह काफी सीमित और संकीर्ण दायरे में होता है... और मुझे यह पसंद है, इन सीमाओं के भीतर काम करना मुझे रोमांचक लगता है।
What I liked about doing a soundtrack is that it's almost the opposite of any kind of normal recording that a band does, because it's very much a restricted, narrow... And I kind of like that, I find it exciting to work within these things.
What I liked about doing a soundtrack is that it's almost the opposite of any kind of normal recording that a band does, because it's very much a restricted, narrow... And I kind of like that, I find it exciting to work within these things.
मैंने लगभग 13 साल की उम्र में एक बैंड बनाया था, और हम सब पांक (punk) संगीत सुनते थे—या जिसे हम पांक समझते थे!
I formed a band when I was about 13, and we all listened to punk - or what we thought was punk!
I formed a band when I was about 13, and we all listened to punk - or what we thought was punk!
मैं इन दिनों बहुत रिकॉर्ड्स खरीद रहा हूँ—जैसे हर हफ्ते पुराने रीइश्यूज़, पुराने ओरिजिनल या नए रिकॉर्ड्स जिनके बारे में मैंने सुना होता है।
I'm buying records a lot, like, every week I'm just buying old reissues or old originals or new records that I have heard about.
I'm buying records a lot, like, every week I'm just buying old reissues or old originals or new records that I have heard about.