मैं लोगों को बहुत गहराई से समझता हूँ। अगर कुछ भी गड़बड़ है, तो स्टूडियो में उनके कदम रखते ही मुझे इसका अहसास हो जाता है।
I am very, very tuned into people. If something's wrong, I can sense it from the moment they walk in the studio.
I am very, very tuned into people. If something's wrong, I can sense it from the moment they walk in the studio.
मैंने फ़िल्में बनाना इसलिए छोड़ा क्योंकि मुझे लगा कि फोटोग्राफी ही मेरी असली कला है। यह एक ऐसा काम था जिसे मैं अकेले कर सकता था, जबकि फ़िल्म निर्माण में बहुत से लोगों का सहयोग चाहिए होता था। मुझे लगा कि एक फोटोग्राफर के तौर पर मैं कुछ ऐसा बना सकता हूँ जो कलात्मक हो और पूरी तरह मेरा अपना हो, और मुझे यह बात पसंद आई। और जब तक मैं दोबारा फ़िल्म निर्माण में नहीं लौटा—जहाँ मेरे पास बहुत छोटी टीमें थीं और मैं बड़े पैमाने के बजाय बहुत छोटे स्तर पर फ़िल्मी काम कर सकता था—तब तक मुझे एक फिल्म मेकर के रूप में यह महसूस नहीं हुआ था कि मैं कुछ कलात्मक बना रहा हूँ। तो, आप जानते ही हैं, कि मैं एक कलाकार हूँ, और चाहे वह फोटोग्राफी हो या फ़िल्म, मैं चाहता हूँ कि मेरी अपनी आवाज़ उसमें झलकनी चाहिए और मुझे लगता है कि इस फ़िल्म में मेरी आवाज़ बहुत मजबूत है।
I left film because I felt that photography was my art. It was something I could do on my own, whereas film was so collaborative. I thought as a photographer I could make something that was artistic and that was mine, and I liked that. And it wasn't until I got back into film and I have very small crews and I could do very tiny filmmaking that wasn't 100 people that I still felt that I was making something artistic as a filmmaker. So, you know, I'm an artist, and whether it's photography or film, I want my voice to be there and I think my voice is very strong in this film.
I left film because I felt that photography was my art. It was something I could do on my own, whereas film was so collaborative. I thought as a photographer I could make something that was artistic and that was mine, and I liked that. And it wasn't until I got back into film and I have very small crews and I could do very tiny filmmaking that wasn't 100 people that I still felt that I was making something artistic as a filmmaker. So, you know, I'm an artist, and whether it's photography or film, I want my voice to be there and I think my voice is very strong in this film.
मुझे लगता है कि पहले मॉडलों, डिजाइनरों और यहाँ तक कि व्यवसाय से जुड़े लोगों के बीच संबंध ज्यादा आत्मीय हुआ करते थे। तब माहौल इतना गला-काट और कॉरपोरेट नहीं था। और मुझे लगता है कि आज यह सिर्फ बड़ा बिजनेस और बड़ा पैसा बनकर रह गया है, और अब वो मानवीय अपनापन उतना नहीं बचा है। मुझे लगता है कि चीज़ें बहुत बदल चुकी हैं।
I think there was a warmer relationship between the models and the designers and even the businesspeople involved. It was not so cut-throat and not so corporate. And I think today it's just big business and big money, and I don't think the human relationship is there as much. I think it's very changed.
I think there was a warmer relationship between the models and the designers and even the businesspeople involved. It was not so cut-throat and not so corporate. And I think today it's just big business and big money, and I don't think the human relationship is there as much. I think it's very changed.
मुझे नहीं लगता कि आप सिर्फ एक खूबसूरत चेहरा और बेहतरीन फिगर होने से वो बन सकते हैं जो वे बने—उसके लिए आपके पास कुछ और भी होना जरूरी था।
I don't think you can become what they became without being more than just a pretty face and a great body - you had to have something else.
I don't think you can become what they became without being more than just a pretty face and a great body - you had to have something else.