Truth Quotes

पारंपरिक ईसाई बाइबल के अनुसार, सभी धर्म ईश्वर तक नहीं पहुँचाते।

According to the orthodox Christian's Bible, all religions do not lead to God.

According to the orthodox Christian's Bible, all religions do not lead to God.

पुराने नियम (ओल्ड टेस्टामेंट) में मसीहा के बारे में 300 से अधिक भविष्यवाणियाँ हैं जो ईसा मसीह (यीशु) में पूरी हुईं। इनमें से सिर्फ 8 भविष्यवाणियों पर प्रायिकता (प्रोबेबिलिटी) के विज्ञान का उपयोग करके गणना की जाए, तो किसी व्यक्ति के सभी 8 भविष्यवाणियों को पूरा करने की संभावना 10 की घात 17, यानी 100 क्वाड्रिलियन में से 1 है।

The Old Testament contains over 300 references to the Messiah that were fulfilled in Jesus Christ. Computations using the science of probability on just 8 of these prophecies show the chance that someone could have fulfilled all 8 prophecies is 10 (to the 17th power), or 1 in 100 quadrillion.

The Old Testament contains over 300 references to the Messiah that were fulfilled in Jesus Christ. Computations using the science of probability on just 8 of these prophecies show the chance that someone could have fulfilled all 8 prophecies is 10 (to the 17th power), or 1 in 100 quadrillion.

वास्तविक उपयोग में खाद्य योजक (फूड एडिटिव्स) मूल प्राकृतिक खाद्य पदार्थों की तुलना में कहीं अधिक सुरक्षित होते हैं।

Food additives are far safer in actual use than the basic natural food themselves.

Food additives are far safer in actual use than the basic natural food themselves.

जब ह्यूम इस बात पर जोर देते हैं कि सुरुचि (स्वाद) नजाकत का विषय है, कि यह किसी वस्तु की अपनी विशेषताओं के प्रति संवेदनशीलता रखने से जुड़ा है, तो वे तर्कवादी सिद्धांत के बहुत करीब पहुँच जाते हैं। सौंदर्य के आनंद को लेकर ह्यूम वास्तव में एक छुपे हुए वस्तुवादी (या आंशिक वस्तुवादी) थे क्योंकि वह आनंद वस्तु की विशेषताओं के प्रति संवेदनशीलता पर आधारित होना चाहिए था।

When Hume insists that taste is a matter of delicacy, that it is a matter of having a sensitivity to features of an object itself, he is very close to the rationalist doctrine. Hume was really a covert objectivist (or partial one) about aesthetic pleasure because that pleasure had to be based on the sensitivity to features in the object.

When Hume insists that taste is a matter of delicacy, that it is a matter of having a sensitivity to features of an object itself, he is very close to the rationalist doctrine. Hume was really a covert objectivist (or partial one) about aesthetic pleasure because that pleasure had to be based on the sensitivity to features in the object.

एक विचार के रूप में परम सत्य (द एब्सोल्यूट) न तो व्यक्तिपरक है और न ही वस्तुपरक; यह वह बौद्धिक ढांचा है जिसके अंतर्गत ये दोनों समाहित होते हैं।

The absolute as the idea is neither subjective nor objective; it is the intellectual structure under which they are subsumed.

The absolute as the idea is neither subjective nor objective; it is the intellectual structure under which they are subsumed.

कांट से लेकर हीगल तक के महान जर्मन आदर्शवादियों ने इस आदर्शवाद या शून्यवाद को किसी भी दर्शनशास्त्र के एक बेतुके निष्कर्ष (रिडक्टियो एड एब्सर्डम) के रूप में देखा, और इसलिए उन्होंने इससे बचने के लिए हर वैचारिक संभव प्रयास किया।

The great German idealists from Kant to Hegel saw this idealism or nihilism as a reductio ad absurdum of any philosophy, and so they struggled by all conceptual means to avoid it.

The great German idealists from Kant to Hegel saw this idealism or nihilism as a reductio ad absurdum of any philosophy, and so they struggled by all conceptual means to avoid it.

हम बस इतना कह सकते हैं कि चौथी शताब्दी से लेकर लगभग आठवीं शताब्दी तक चली एक लंबी प्रक्रिया के परिणामस्वरूप, पाठ (टेक्स्ट) का एक मानक रूप तैयार हुआ, जो आज हमारे पास मौजूद अधिकांश पांडुलिपियों (मैन्यूस्क्रिप्ट्स) में मिलता है। ग्रीक न्यू टेस्टामेंट की आज जितनी भी पांडुलिपियाँ मौजूद हैं, उनमें से कम से कम छियानवे प्रतिशत आठवीं शताब्दी के बाद की हैं; और उनमें से भी केवल कुछ ही ऐसी हैं जो पाठ के उन अन्य रूपों के निशान सुरक्षित रखती हैं जो मानक पाठ को अपनाने से पहले अस्तित्व में थे और जिनसे मिलकर यह मानक रूप तैयार हुआ था।

All we can say is that, as the result of a process which went on from the fourth century to about the eighth, a standard type of text was produced, which is found in the vast majority of the manuscripts that have come down to us. At least ninety-six per cent of the extant manuscripts of the Greek New Testament are later than the eighth century; and of those only a handful preserve traces of the other types of text which were in existence before the adoption of the standard text, and out of which it was created.

All we can say is that, as the result of a process which went on from the fourth century to about the eighth, a standard type of text was produced, which is found in the vast majority of the manuscripts that have come down to us. At least ninety-six per cent of the extant manuscripts of the Greek New Testament are later than the eighth century; and of those only a handful preserve traces of the other types of text which were in existence before the adoption of the standard text, and out of which it was created.

नया नियम (न्यू टेस्टामेंट) किसी एक प्राधिकारी चर्च द्वारा अपने सदस्यों को निर्देश देने के लिए जारी किया गया एकल दस्तावेज़ नहीं था। चारों सुसमाचार शायद एक तिहाई शताब्दी के दौरान अलग-अलग समय और स्थानों पर रचे गए थे, और कुछ समय के लिए हमारे प्रभु के जीवन से जुड़े अन्य वृत्तांतों के बीच अलग-अलग ही घूमते रहे (जिनमें से किसी अज्ञात गॉस्पेल का हाल ही में खोजा गया अंश भी एक हो सकता है)।

The New Testament was not produced as a single work issued by an authoritative Church for the instruction of its members. The four Gospels were composed in different times and places over perhaps a third of a century, and for a time circulated separately among a number of other narratives of our Lord's life (of which the newly discovered fragment of an unknown gospel may have been one).

The New Testament was not produced as a single work issued by an authoritative Church for the instruction of its members. The four Gospels were composed in different times and places over perhaps a third of a century, and for a time circulated separately among a number of other narratives of our Lord's life (of which the newly discovered fragment of an unknown gospel may have been one).

इस बात को लेकर अब कोई शक नहीं बचा है कि धर्मग्रंथ मूल रूप से जैसे लिखे गए थे, बिल्कुल वैसे ही हम तक पहुँचे हैं।

The last foundation for any doubt that the Scriptures have come down to us substantially as they were written has now been removed.

The last foundation for any doubt that the Scriptures have come down to us substantially as they were written has now been removed.

एक पेशेवर फोटो जर्नलिस्ट ऐसा क्या करता है जो दूसरे नहीं कर सकते? फोटो खिंचवाने के मौकों को असली दिखाना, प्रेस कॉन्फ्रेंस कवर करना, या लोगों को उनकी तयशुदा भूमिकाओं में दिखाना (जैसे गरीबों को लाचार पीड़ित और मशहूर हस्तियों को ग्लैमरस दिखाना) कोई बहुत बड़ी उपलब्धि नहीं है। असल में, यही वे कारण हो सकते हैं जिनकी वजह से हमें उन शौकिया लोगों की मदद लेनी चाहिए जो अपनी तस्वीरों को सजाना-संवारना नहीं जानते और जिन्हें किसी प्रकाशन को पाठकों के लिए आकर्षक बनाने में कोई दिलचस्पी नहीं है।

What does a professional photojournalist do that others cannot? Depicting photo opportunities as if they are authentic, covering press conferences, or making subjects play their assigned roles (the poor as passive victims, celebrities as glamorous) are hardly adequate responses. In fact, these might be reasons to ask for the help of amateurs who do not know how to stylize their imagery and are not interested in making a publication seem more palatable to its potential consumers.

What does a professional photojournalist do that others cannot? Depicting photo opportunities as if they are authentic, covering press conferences, or making subjects play their assigned roles (the poor as passive victims, celebrities as glamorous) are hardly adequate responses. In fact, these might be reasons to ask for the help of amateurs who do not know how to stylize their imagery and are not interested in making a publication seem more palatable to its potential consumers.

दुनिया की खोज करने वाली और उसकी परतों को खोलने वाली तस्वीर की नकल करना उस तस्वीर की तुलना में कहीं ज्यादा मुश्किल है जो केवल किसी के विचारों को दर्शाने के लिए बनाई गई हो।

The photograph that discovers and uncovers the world is harder to simulate than an image that simply illustrates one's ideas about it.

The photograph that discovers and uncovers the world is harder to simulate than an image that simply illustrates one's ideas about it.

हमें फोटोग्राफ पर भरोसा सिर्फ इसलिए नहीं है कि वह भौतिक रूप से चीजों का वर्णन करता है, बल्कि व्यापक रूप से इसलिए है क्योंकि यह हमारे हर जगह मौजूद होने के अहसास और इस भौतिक दुनिया की वास्तविकता की पुष्टि करता है।

We have faith in the photograph not only because it works on a physically descriptive level, but in a broader sense because it confirms our sense of omnipresence as well as the validity of the material world.

We have faith in the photograph not only because it works on a physically descriptive level, but in a broader sense because it confirms our sense of omnipresence as well as the validity of the material world.

मेरा हमेशा से मानना रहा है कि फोटोग्राफी व्यक्तिगत और व्याख्यात्मक होती है और यह निश्चित रूप से पूर्ण सत्य नहीं दिखाती, लेकिन मुझे लगता था कि सामाजिक और ऐतिहासिक संदर्भ के रूप में इसकी गरिमा को बचाए रखने और निखारने की जरूरत है... अब फोटो जर्नलिज्म गिरकर एक ऐसा माध्यम बनता जा रहा है जिसका मकसद सिर्फ चौंकाना, उत्तेजित करना, बेचना या तथ्यों को तोड़ना-मरोड़ना रह गया है।

I always believed that photography was subjective, interpretive and certainly did not represent the truth, but I did think that its status as a societal and historical referent needed to be both safeguarded and illuminated....now photojournalism is devolving into yet another medium perceived as intending to shock, titillate, sell, distort.

I always believed that photography was subjective, interpretive and certainly did not represent the truth, but I did think that its status as a societal and historical referent needed to be both safeguarded and illuminated....now photojournalism is devolving into yet another medium perceived as intending to shock, titillate, sell, distort.

हमें लोगों को यह बताना होगा कि तस्वीरें कैसे बनती हैं। और पहला कदम यह है कि हम इस विचार को छोड़ दें कि हम सिर्फ 'फोटोग्राफ' देख रहे हैं। असल में, हम जानकारी और उस दुनिया में प्रवेश करने के रास्तों को देख रहे हैं जहाँ वह तस्वीर बनाई गई थी।

We have to tell people how images are made. And, the first step is to abandon the idea we're looking at photographs. We're looking at entry points to information and to the world in which the image was made.

We have to tell people how images are made. And, the first step is to abandon the idea we're looking at photographs. We're looking at entry points to information and to the world in which the image was made.

कानूनी लेखन में लगभग दो ही कमियाँ होती हैं। एक उसका अंदाज़ और दूसरा उसकी विषय-वस्तु।

There are two things wrong with almost all legal writing. One is its style. The other is its content.

There are two things wrong with almost all legal writing. One is its style. The other is its content.

एक फोटोग्राफर की हकीकत वही होती है जो वह दुनिया को दिखाना चाहता है।

A photographer's reality is what he or she wants to show.

A photographer's reality is what he or she wants to show.

अगर आपको लगे कि कुछ गलत हो रहा है, तो आवाज़ उठाने से डरें नहीं।

If you have the feeling that something is wrong, don't be afraid to speak up

If you have the feeling that something is wrong, don't be afraid to speak up

कल्पना और वास्तविकता के बीच फर्क करना बहुत जरूरी है, क्योंकि अगर हकीकत ही सब कुछ कर रही है, तो फिर आपने कल्पना का सहारा क्यों लिया? और एक बार जब आप यह सवाल उठाते हैं कि 'कल्पना क्यों?' तो आपको अपने लेखन में ही उस सवाल का जवाब एक क्रियात्मक रूप में देना पड़ता है।

There's an imperative to make sure you distinguish fiction from the fact, because if the fact is doing the work, why did you do fiction? And once you raise the question of why - why do fiction? - then you have to answer it in your text as a kind of enactment of the answer.

There's an imperative to make sure you distinguish fiction from the fact, because if the fact is doing the work, why did you do fiction? And once you raise the question of why - why do fiction? - then you have to answer it in your text as a kind of enactment of the answer.

आप पाप के रास्ते पर चलकर कभी नहीं जीत सकते।

You can't win with sin.

You can't win with sin.

मैं एक समझदार किस्म का इंसान हूँ। अगर मुझे कोई ऐसी बात सुनाई दे जो तर्कसंगत लगे, तो मैं उस पर आसानी से विश्वास कर लेता हूँ। लेकिन अगर किसी दूसरे तर्क को हमारे अनुभवों के साँचे में ढालने के लिए उस पर जबरन हथौड़े चलाने पड़ें, तो मुझे लगता है कि उसके सच होने की संभावना न के बराबर है।

I'm a reasonable kind of guy. If I hear something that seems to make sense, I'm willing to give it the benefit of the doubt. If the alternative explanation has to be pounded into shape before it fits the mould of our experience, it seems to me that it's unlikely to be true.

I'm a reasonable kind of guy. If I hear something that seems to make sense, I'm willing to give it the benefit of the doubt. If the alternative explanation has to be pounded into shape before it fits the mould of our experience, it seems to me that it's unlikely to be true.